Disney / Marvel Studios

Iron Man Cinematographer Matthew Libatique Says Marvel May Use AI to Cut VFX Costs

Libatique expects AI to enter big-budget visual effects, though he does not expect Marvel to replace its actors with digital performers.

Matthew Libatique beside a cinema camera in Evolution Mallorca festival artwork
Image Credit: Evolution Mallorca International Film Festival

Iron Man cinematographer Matthew Libatique says Marvel may use artificial intelligence in visual effects to bring down the cost of its biggest movies.

Libatique made the prediction in a new Variety interview from the Evolution Mallorca International Film Festival. He was speaking for himself, not announcing a Marvel policy or production plan.

Libatique draws a line at AI actors

Libatique said technology already shapes Marvel and DC productions. With blockbuster budgets running so high, he expects studios to explore AI for visual-effects work as a way to curb costs.

He was much more skeptical about replacing performers. Libatique pointed to actors such as Chris Evans, Robert Downey Jr. and Robert Pattinson, arguing that audiences connect with the personalities they bring to their characters.

He and Darren Aronofsky are testing the technology

Libatique also told Variety that he and longtime collaborator Darren Aronofsky plan to test AI ahead of their next film together. The project will still be made on a set with cameras, actors and Aronofsky directing in person. Their question is what the technology can do after the camera captures the scene.

His view remains uneasy. Libatique said machine learning can help with specific post-production tasks, such as correcting glare, while warning that automation can eliminate jobs and draw from artists’ work without permission. He said he has seen AI videos prompted to imitate his style and found that use of his work offensive.

The festival presented Libatique with its 2026 Cinematography Icon Award and scheduled his Icon Talk for October 30. Its official Cinematography Focus program supplies the artwork shown here.

Read Variety’s interview with Matthew Libatique.

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